13 Reducing Eowyn to RapunzelĬonsidering the era in which the books were published and the World War I veteran who wrote them, you wouldn’t expect Eowyn to be much more than a placeholder female character. Tolkien himself admitted that he imbued Faramir with many of his own characteristics, and you can bet the author would be dismayed at his devolution on the big screen. This is entirely inconsistent with his sentiments in the book, where he declares, “ Not if I found by the wayside would I take it.” Though Peter Jackson admitted to using Faramir as a plot device to thicken the tension, he assassinated his character and made the men of Gondor look feckless. Rather than be a man “ gentle in bearing, and a lover of lore and of music" (as Tolkien described him), screenwriter Phillippa Boyens had Faramir kidnap Frodo and lust after the ring in the same manner as his brother. What a shame it was, then, for the movies to let Faramir descend into a virtual clone of Boromir. He retained the dignity of his family in the face of his elder brother’s ignominious death. Though the cast of actors is on point, the adaptation from book to screen leaves multiple members of the human contingency hanging in the balance, with Faramir receiving the worst treatment of all.Īmid the sullied reputation of the Men of Gondor, Faramir was the shining light. Unfortunately, that same level of expertise and nuance failed to carry over into the world of men. From Wormtongue to Sauron and the Uruk-hai, the dark side of Middle Earth is masterfully portrayed. The success of Peter Jackson’s trilogy thrives on its villains.
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Though we can understand the need to make the ringbearer both precious and vulnerable, Frodo’s character became needlessly one-dimensional when the source material provided ample opportunity for him to punch above his weight. In the Mines of Moria, Frodo helps take down a cave troll, but during those scenes in the films, he’s practically useless. Though he brazenly fights the Nazgul at Weathertop in the books, fear overtakes him in the movies and drives him to literally crawl away to safety. Throughout The Fellowship of the Ring, Peter Jackson undercuts Frodo’s literary strength and effectively reduces him to a damsel in distress. He may be of diminutive size and stature, but the Frodo seen in Tolkien’s original writings is an unmitigated hero. Though it’s hard to imagine anyone other than Elijah Wood as Frodo Baggins, his affecting performance covered up some of the harshest changes made from book to screen. As the world of men falls, its survival rests on the shoulders of a boy from Bag End. Tolkien’s fantasy epic succeeded in showing that the smallest and seemingly least among us have the capacity for greatness. Here are The 15 Worst Changes From Books To Movies In The Lord Of The Rings. Characters are distorted, key elements under-emphasized, and major events are skipped over, often in favor of less effective replacements. Fans of the books know the extent to which Jackson deviated from Tolkien’s writing, especially in his adaptation of The Two Towers. That being said, the movies are not beyond reproach. He rightly deserved the three Academy Awards he won in 2004 for Best Picture, Best Director, and Best Adapted Screenplay.
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From The Fellowship of the Ring to The Return of the King, Jackson took the highest of high fantasy concepts and translated them into three rousing adventures. Peter Jackson carried the burden with aplomb, breathing life into Tolkien’s rich world of Middle Earth while adding some of his own artistic flourishes.
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Tolkien’s The Lord of the Ringstrilogy, there’s bound to be casualties when moving from the page to screen. The art of adaptation is a cruel business.